Category Archives: E-Poets

Featured e-poets on the World Poetry Radio Show.

World Poetry Celebrates the Amazing Danny Fox and Trio!




Ariadne’s Notes: Happy International Women’s Day from the Spanglish Magazine 

On February 15, at 1:30 pm PST, the World Poetry Cafe welcomed the amazing Danny Fox and trio with their  new CD The Great Nostalgist This new CD is  lighthearted and fun to listen to. It has a very professional twist. Danny also kindly responded to an e-question from a young musician with a local band in Senegal who sent his appreciation after listening live to the show. Included in the show was a beautiful peace poem by Honey Novick . 

At 1:10, pm. PST, we had a phone call from Victor Obosi , organizer and director of Afrikadey Festival and promoter of many events.









Danny Fox & Trio.

Pianist Danny Fox was born in New York City where he became immersed in the jazz scene from an early age. In high school, Danny was selected as a Presidential Scholar in the Arts and went on to attend Harvard University during which time he became active in the Boston music scene. 

Happy International Women’s Day from the Spanglish Magazine!


He formed the Danny Fox Trio in 2008 as a vehicle for his original compositions and since then the working group has performed steadily around NYC and the US, releasing the critically acclaimed albums The One Constant (Songlines) and Wide Eyed (Hot Cup).

Called a “pianist of diverse accomplishment” (NY Times), Danny has established himself as a versatile musician active in a wide variety of settings, co-founding the New Orleans rock and roll group Tubby, playing around the fertile Brooklyn roots and bluegrass scene, performing on Broadway, and collaborating with the cutting edge video artist Meghan Allynn Johnson. He has performed with artists as diverse as Bruce Springsteen, Cassandra Wilson, Michael Blake, and Kermit Driscoll.

Thanks to Braitwaite and Katz for connecting us with this talented musician.


World Poetry Celebrates Bruno A. Ribeiro!


Our World Poetry last Film and Human Rights Festival, Vancouver, B.C. Canada.

 Ariadne’s Notes: The World Poetry Cafe Radio  Show Welcomed the poet Bruno A. Ribeiro with his new book The Book of All Lovers , an epic poem which is the first of a trilogy.  It is a fascinating poem, bringing together elements from the poet’s life as well as a wealth of other focuses , all wrapped together in this epic work. 

Guest host Diego Bastianutti  did a great job of interviewing Bruno despite a fire evacuation at the radio station which threw the planned interviews into an interesting situation,  Thanks to the World Poetry Team  of Diego Bastianutti, Ariadne Sawyer, Technician Kerry Buckner (in for Victor) and Sharon Rowe, volunteer who did a great job. We also want to thank  the featured guests who were so understanding.










Bruno A. Ribeiro, also known as Bruno A.  is a Portuguese-American Writer and Painter. Having studied Fine Arts in Lisbon, he moved to USA in 2005 to fully dedicate himself to writing. He currently lives with his wife and dog in Oyster Bay, New York, right next to the national park Sagamore Hill, the famous home of President Theodore Roosevelt. In addition to writing, also enjoys cooking, gardening, and sailing. He has used elements of his own personal life as inspiration for his epic debut poem, The Book of All Lovers. The beautiful Rose of Sharon from the poem can be found in his home office.  More information at:

This illustrated book plunges you into a dark fantasy full of brave heroes, beautiful damsels, and loyal allies. Dyosphir will face many challenges as he quests after the Rose of Sharon. At the end of his adventure, he will be confronted with a choice that will change everything for his people and his land. This epic poem from Bruno Ribeiro presents you with a new kind of fairy tale. The love story between Dyosphir and Ivalisee is a dark fantasy full of lush settings, chivalrous adventures, true love, and unimaginable peril. Ride along with Dyosphir as he and his companions plot to save his love and kingdom. The Book of All Lovers is an epic poem adapted for a modern audience with modern tastes. Source: Website:

Courtesy of: www.SherriRosen.Com 

World Poetry Celebrates Satoko Fujii From Japan!



Ariadne’s Notes: The World Poetry Café Radio Show on February 8, on CFRO 100.5 PM at 1:PM, PST welcomed with a  surprise special birthday party for the renowned pianist and touring composer, Satoko Fujii  with her solo 60th birthday CD with welcoming guests Yurie Hoyoyon and  Soramaru Takayama  in Japanese and English. It was so much fun! Also a number of guests, including an e-peace poem from e- features: Malik Ahmed and the multilingual poet Alfonso Martinez Pretel from Spain.  Other guests included the amazing poet Barry Plamondon reading from his new book. World Poetry Team: Ariadne Sawyer, MA, Victor Schwartzman and Sharon Rowe.




“She is the Ellington of free jazz.”―Bob Rusch, Cadence

“Unpredictable, wildly creative, and uncompromising…Fujii is an absolutely essential listen for anyone interested in the future of jazz.” ― Dan McClenaghan, All About Jazz

“Fujii is clearly one of the most exciting musicians to come along in a while.” ― Robert Iannapollo, Cadence.

Critics and fans alike hail pianist and composer SATOKO FUJII as one of the most original voices in jazz today. A truly global artist, she tours internationally leading several ensembles based in Japan, Europe, and the United States. Just as her career spans international borders, her music spans many genres, blending jazz, contemporary classical, rock, and traditional Japanese music into an innovative synthesis instantly recognizable as hers alone. Her wide-ranging compositions can incorporate the simple melodies of folk song, the harmonic sophistication of jazz, the rhythmic power of rock, and the extended forms of symphonic composers. Although Fujii’s compositions are full of sudden shifts in direction and mood, the extremes are always part of a greater conceptual whole. The 2015 El Intruso International Critics Poll recognized her as one of the composers of the year and in 2016 she was named a Rising Star Composer in the 64th Annual DownBeat International Critics Poll.  As an improviser, Fujii is equally wide-ranging and virtuosic. In her solos, explosive free jazz energy mingles with delicate melodicism and a broad palette of timbre and textures.

Born on October 9, 1958 in Tokyo, Japan, Fujii began playing piano at four and received classical training until twenty, when she turned to jazz. From 1985 to 1987, she studied at Boston’s Berklee College of Music, where her teachers included Herb Pomeroy and Bill Pierce. She returned to Japan for six years before going back to the US to study at the New England Conservatory in Boston, where her teachers included George Russell, Cecil McBee, and Paul Bley, who appeared on her debut CD Something About Water (Libra, 1996).

Since then Fujii has been an innovative bandleader and soloist, a tireless seeker of new sounds, and a prolific recording artist in ensembles ranging from duos to big bands. She has showcased her astonishing range and ability on more than 80 CDs as leader or co-leader. With each recording or new band, she explores new aspects of her art.

Between 1997 and 2009, her New York trio with bassist Mark Dresser and drummer Jim Black released seven critically acclaimed CDs. Cadence magazine described the group as “Beautiful and exciting by turns, and sometimes both at once.” Jason Bivins in Signal to Noise praised the “dynamite unit” for its “improv delirium, hot grooves, and melodic dances.” In 2004 Fujii’s husband, trumpeter Natsuki Tamura, joined the trio to form the Satoko Fujii Four, which released the critically acclaimed Live in Japan 2004 and 2006’s When We Were There.

At the same time, she and Tamura began documenting their intimate duo music. By now, the pair has made five CDs for various labels in Europe and Japan. In his four-star DownBeat review of Chun (2008), Ted Panken wrote, “Fujii’s orchestral technique, clear chromatic lines and ‘prepared piano’ devices contrast effectively with Tamura’s arsenal of extended techniques which he executes with a warm, vocalized tone throughout the trumpet’s full range.” Their sixth duet album is due out in 2017.

In 2001 came the radically different Vulcan (Libra Records), an avant-rock/free-jazz fusion album by a new group, the Satoko Fujii Quartet featuring Tatsuya Yoshida of the Japanese avant-rock duo, The Ruins. “The sensibility here is aggressive to the point of primitive,” said Bill Bennett in JazzTimes. “Vulcan is … a masterpiece of jazz expression.” Between 2001 and 2007, each of the Japanese quartet’s five albums, including Zephyros (Polystar, 2004) and Angelona (Libra, 2005), received equally enthusiastic approval. Toh-Kichi, her duo with the quartet’s drummer Yoshida, released CDs in 2002 and 2004.

Even as she led these disparate small ensembles, moving with equal vigor in widely divergent directions, Fujii also embarked one of the most important aspects of her career―composer, leader, and soloist with some of the most innovative large jazz ensembles of the past twenty years. Cadence magazine dubbed her “the Ellington of free jazz.” In 1996, she founded Orchestra New York, which boasts the cream of New York’s contemporary avant-garde improvisers, including saxophonists Ellery Eskelin and Tony Malaby, trumpeters Herb Roberton and Steven Bernstein, and trombonist Curtis Hasselbring, among others. Over the course of seven albums, Fujii has “reinvigorated the big-band concept for the new century – and placed herself at the forefront of the style at the same time,” according to Marc Chénard in Coda.

Orchestra Tokyo, founded a year later in 1997, draws on that city’s best improvisers, and has recorded five CDs to date. Writing in All About Jazz, Dan McClenaghan praised the band for its “Power, exuberance, fierce soloing…moments of beauty, serenity, delicacy interspersed with seismic Elvis Costello ‘Pump it Up’ percussion/bass modes that lead into gentle classical harmony… Fujii is an absolutely essential listen for anyone interested in the future of jazz.”

However, Fujii’s creative ideas for large ensemble cannot be fully encompassed by a mere two big bands, and she has gone on to work with two others―Orchestra Nagoya, with which she has recorded three CDs since 2004, and Orchestra Kobe. In 2006 she released an unprecedented four big band CDs―one by each of these orchestras―at one time.

Even four orchestras are not enough for the prolific composer-improviser. At the 2013 Chicago Jazz Festival she premiered a fifth big band, the Satoko Fujii Orchestra Chicago. In 2014, she added Orchestra Berlin to her growing list of large ensembles, and recorded Ichigo Ichie. The album “swells in oceanic crests from which its musicians soar wildly.  The four-part title suite repeatedly builds to thrilling, noisy, near-hysterical climaxes,” wrote Derk Richardson in The Absolute Sound.

As the new century progressed, Fujii continued to establish new ensembles. In 2007, Fujii formed ma-do, a quartet which included Tamura on trumpet, bassist Norikatsu Koreyasu, and Akira Horikoshi, the drummer in Orchestra Tokyo. The group showcased the latest developments in her composition for small ensembles, while playing in a more intimate acoustic setting that contrasted with the high-volume, rock-influenced Quartet. They made three impressive CDs before the tragic death of bassist Koreyasu in 2011. Alan Young in Lucid Culture called their second release, Desert Ship, a “characteristically fascinating, emotionally varied, richly melodic one by her pretty straight-up small combo ma-do…. Another triumph for this extraordinary composer.”

In 2006, she established yet another acoustic quartet, the Min-Yoh Ensemble with Tamura, trombonist Curtis Hasselbring, and accordionist Andrea Parkins. Dedicated to developing written and improvised music in the collective spirit of Japanese folkloric music, the band made two CDs. Writing in All About Jazz, Budd Kopman called their debut, Fujin Raijin, “a stupendous, almost terrifying record that shatters any and all expectations during its six tracks… If any music has the ability to change one’s life, this is it, making Fujin Raijin a powerful experience in which to revel.”

In 2013, Fujii set off on a fresh musical adventure with the Satoko Fujii New Trio, featuring bassist Todd Nicholson and drummer Takashi Itani―her first piano trio since 2009. The group released their debut recording, Spring Storm, that same year. “It is tempting to say the very focused, often gorgeous and always thought-provoking Spring Storm―with its delicacy versus strength dynamic, and melodic beauty beside the articulate and challenging interplay―is her best work to date,” wrote Dan McClenaghan in All About Jazz. With the addition of trumpeter Tamura in 2014, the trio expanded into a quartet called Tobira and toured North and South America. Their debut release, Yamiyo Ni Karasu, “rises to the top tier of her sprawling discography,” according to Steve Greenlee in JazzTimes.

In addition to leading her own ensembles, Fujii has engaged in many collaborative projects and ad hoc groups, and appeared as a member of ensembles led by others. With violinist Carla Kihlstedt, she has made two CDs, including Minamo, which Ben Ratliff of the New York Times says “is extraordinary, a series of tight, dramatic events.” She has also released a limited edition duo recording with pianist Myra Melford, Under the Water. A meeting between Fujii and Tamura and Dutch pianist Misha Mengelberg and trumpeter Angelo Verploegen is documented on Crossword Puzzle. Her recent collaboration with bassist Joe Fonda, documented on 2016’s Duet, was called “miraculous” and “a bravura performance” by All About Jazz. Increasingly since 2013, she and Tamura are joined by special guests, such as laptop musician Ikue Mori and British guitarist John Russell, as they tour around the globe. She has also toured and recorded with saxophonist Larry Ochs’ Sax and Drum Core, and appeared on albums by drummer Jimmy Weinstein, saxophonist Raymond McDonald, and Japanese free jazz pioneer, trumpeter Itaru Oki. She is a regular member of Tamura’s groups, Gato Libre (in which she plays accordion) and First Meeting, and played synthesizer in his quartet between 2002 and 2004. In recent years she has worked with dance and music ensembles featuring percussive dancer Mizuki Wildenhahn. Dos Dos includes Wildenhahn and percussionist Faín S. Dueñas, a founder of the Grammy-nominated Radio Tarifa; Hakidame ni Tsuru features trumpeter Tamura, as well as percussionist Takaaki Masuko, and guitarist Usui Yasuhiro.

The cooperative group that currently claims most of her attention is the international quartet Kaze, featuring Fujii and Tamura along with trumpeter Christian Pruvost, and drummer Peter Orins from France. Kaze has earned wide acclaim. As Virginia Schaefer said of a live show she covered for JazzTimes, “Intense and playful, down-to-earth and international, Kaze communicates in a musical language of contrasts and continuity.”  Jon Garelick writes in Giant Steps, “Kaze takes jazz abstraction to a sublime limit…. There is suspense, virtuosity, mystery, calm.”  Their debut recording Rafale (2011) earned acclaim from Mark Medwin in The New York City Jazz Record, as “a stunning achievement from note one…” Their second CD Tornado (August 2013), earned similar acclaim. In 2015, they released their third album, Uminari, which Jazz Magazine (France) called, “a compelling example of free jazz today. Compositions are perfectly scripted, with a well-oiled interaction and playing of beautiful power…” In addition, Kaze appears as special guests with Orchestra Tokyo on their 2016 release, Peace. In 2016 Kaze expanded to include a second pianist, Sophie Agnel, and a second drummer, Didier Lasserre, to become Trouble Kaze, which released an album in early 2017.

Fujii tours as relentlessly as she records. She has appeared live on every continent except Antarctica, performing at festivals, concert halls, and clubs. In 2013, she was honored with three nights on which to present her music at the Bielefeld Festival in Germany. In August and September of that year, she presented a week of music by several of her bands at The Stone in New York City.


The year 2016 marked Fujii’s 20th anniversary in music as well the 20th anniversary of Libra Records, which has released most of her recordings. To celebrate, she embarked on a worldwide tour that included completely improvised solo concerts once a month in Europe, the US, and Japan; concerts in which she and Tamura were joined by special guests; and performances by several of her small and large ensembles, past and present.

Fujii tirelessly continues to explore the possibilities and expand the parameters of the many groups she’s established over the years, and there is certainly more provocative and exciting listening in store as she pursues her ultimate goal: “I would love to make music that no one has heard before.”