Category Archives: Radio Show

World Poetry Celebrates the Talented Diego Bastinutti !

 

 

 

 

 

 

Ariadne’s Notes.
The World Poetry Café Radio Show welcomed our popular co-host and noted author Diego Bastianutti , November 29 , 1:00 PM PST in a special launch of his new book, Lost in Transit now available on Amazon. It shows the effect on changing countries as well as when he met his wife, she rescued him from being lost.
Also on the show, at 1:40 PM PST Darrel Katz with his new CD, Rats on No Evil Star , a beautiful combination of music and a tribute to his late wife the talented poet Paula Tatarunis .

The opening poem ACADEMIC TESTS by Sahaj Sabharwal, who is a student. He writes: “I love writing poems and thoughts. I am from Jammu city, Jammu and Kashmir, India.” His poem was read by our great tech Victor Schwartzman who keeps our show on the air.
We would also like to welcome three new countries to our listening audience: Bhutan, Melawi and  Kazakhstan bringing our total to 118.

LISTEN TO THE SHOW HERE! ***

 

 

 

Diego Bastianutti, from Fiume, Italy, has crossed many borders separating States as well as “states of being.” He is at ease with various languages and cultures. A retired Professor of Spanish and Italian literature, and former Honorary Vice Consul of Italy.The recent joint exhibition on the theme of Vancouver Downtown Eastside has been received in Vancouver and in Italy with deep sensitivity and appreciation.

He has received wide recognition here and abroad for his work as a writer, poet and translator. Among his works he counts five volumes of poetry and his awarded book A Major Selection of the Poetry of Giuseppe Ungaretti. Currently he is a Canadian correspondent for an Italian literary magazine in San José, Costa Rica, and a member of various writers’ associations. His writings have become material of study in a graduate course offered at the University of Toronto. A forthcoming book published by the University of Toronto Press will feature an entire chapter on Bastianutti the poet and writer.

Above the Horizon

In never-ending thirst
the desert dances on thorns of love
shadows upon shadows entwining
flesh over enfolding flesh

She lets him take her like the night
swallows the sun in the lunar tidal heartbeat
with his sky planted in her body
she howls like the moon melting into the sea
a lashing whip, a swirl of colors
on its fevered tip

Becalmed she brings him in
whispering his name
as he reads forgotten messages
on her veined wrists

©Diego Bastianutti. All rights reserved by the author

 

World Poetry Celebrates the Talented Musician Peter Nelson!

Ariadne’s Notes. On November 15, CFRO 100.5 FM,  The World Poetry Café welcomed  the amazing Peter Nelson who called in at 1:30 PM PST to talk about his own journey of healing from a debilitating illness and his new CD Ash, Dust and the Chalkboard Cinema which  beautifully illustrates healing through his music and brings a message of balance , listening to the body and spirit. This interview meant a lot to me since I had gone through a difficult recovery from polio for many years which gave me ongoing challenges. Peter’s story has given me ongoing hope for recovery. Peter comes to us courtesy of Braitwaite and Katz. World Poetry Contributors: Alaha Ahar from Afghanistan and the US with tips and a poem by regular contributor Jeanne Probst. The team: Ariadne Sawyer, MA, Host and producer, Victor Schwartzman super tech and special volunteer Sharon Rowe completed the team.

LISTEN TO THIS GREAT SHOW RIGHT NOW!

 

 

 

 

 

Peter Nelson
Born in Lansing, Michigan, Peter Nelson discovered the trombone at age 10. Earning a bachelors degree in Jazz Studies at Michigan State University allowed him to study and perform with some of today’s top jazz artists, including Rodney Whitaker, Etienne Charles, Diego Rivera, Michael Dease and Vincent Chandler. After spending a year after college producing and recording his second album as a leader, Nelson moved to Brooklyn, NY where he currently performs, composes, and teaches in a number of settings. Nelson has been a finalist in every major North American jazz trombone competition and in 2012 was awarded the prestigious Sudler prize in the Arts. He leads multiple groups and is also a sought after section player, having performed with jazz orchestras backing the likes of John Hendricks, McCoy Tyner, Benny Golson, Jamie Cullum and Terence Blanchard. As a composer, Nelson has amassed a body of work that includes everything from jazz ensemble to contemporary pop. His versatility as a performer has led to a wide variety of performances and recordings with artists such as Christian McBride, Verve Pipe, Orrin Evans’ Captain Black Big Band, Jamie Cullum, The Hudson Horns, Marianne Solivan, the Dan Pugach Nonet, Matt Wilson, Grupo Ayé, The George Gee Swing Orchestra, Fleur Seule, Valerie Ponomarev, Michael Dease Big Band, and a score of others.
Peter Nelson

“This is an exciting and unusual contemporary jazz album, one with many layers of meaning, and definitely one you should discover.” –Marc Phillips, The Vinyl Anachronist.

Through vivid compositions and enthralling playing the album retraces Nelson’s five-year struggle with a debilitating condition that threatened to end his career as a musician just as it was entering its ascendancy.

Nelson enlisted three different ensembles to tell this story: an ethereal trio featuring vibraphonist Nikara Warren and the wordless vocals of Alexa Barchini; a hard-swinging quartet with pianist Willerm Delisfort, bassist Raviv Markovitz, and drummer Itay Morchi; and a brilliant septet supplementing the quartet with alto saxophonist Hailey Niswanger, trumpeter Josh Lawrence, and bass clarinetist Yuma Uesaka.

Trombonist/Composer Peter Nelson Triumphs Over His Five-Year Struggle with Mysterious Chronic Pain on Stunning New Album Ash, Dust, and the Chalkboard Cinema, out August 31 on Outside In Music, features three ensembles taking listeners on a narrative journey through suffering, discovery and healing.

A native of Lansing, Michigan, Nelson earned his degree in Jazz Studies at Michigan State University, where he studied with heavy hitters like bassist Rodney Whitaker. After recording two albums in his home state he decided to move to Brooklyn in 2013, and soon found himself performing with longtime heroes like pianist/bandleader Orrin Evans and drummer Matt Wilson. Almost simultaneously, however, he started to develop strange symptoms while playing.
At first the issues were minor: small, localized pain and subtle feelings of anxiety. Before long, the symptoms escalated to include chronic hyperventilation, severe shortness of breath, and excruciating pain in the face down his back and arms. “Here I was playing with a lot of my heroes, in musical settings that I’d dreamed about and I spent a lot of time trying to cultivate,” Nelson recalls. “And it became very difficult to be on the bandstand while at the same time fighting my horn and fighting my body. It felt like a physically violent way of losing my medium for relating to the world, and was emotionally and spiritually crippling.”
Nelson sought the help of innumerable doctors, physiologists and educators, failing to find satisfactory answers from any source. After more than a year and a half of intense pain and frustrating questions, Nelson found his way to physiologist and trombonist Jan Kagarice, one of the world’s leading authorities on musicians’ health. Kagarice diagnosed him with focal dystonia, chronic hyperventilation and Chvostek sign, and in a single lesson reversed 60% of his pain, immediately allowing him to play again.
His symptoms, it turned out, were the result not of some curious illness but of bad pedagogy – bad habits inherited from teachers working from a misunderstanding of the human body and the physical process of making music. “The stereotype is that brass players have chops problems and difficulty with endurance,” he explains. “But the entirety of brass pedagogy is not only physiologically destructive but physics-wise has very little to do with how sound is actually made.”
Five years after the onset of his symptoms, Nelson is fully recovered and playing as beautifully as ever, pain-free. Writing the ten compositions on this album meant excavating a number of difficult feelings, but the trombonist was intent on engaging fully and honestly with the full spectrum of his ordeal. He brings his experiences vividly to life with the help of his gifted collaborators, each of whom have played an important part in his life in one context or another, from the bandstand to the classroom.
Nelson is hesitant to reveal the meaning behind his somewhat cryptic album title, but a few themes emerge: Ash and Dust make obvious references to things crumbling away and left behind, referring perhaps to the composer’s symptoms or incorrect approaches. The Chalkboard Cinema, meanwhile, suggests the somewhat illusory nature of education, jazz education in particular – lessons taught as gospel but more akin to the flickering images of the silver screen.
Ash, Dust, and the Chalkboard Cinema traces each step along Nelson’s road to recovery, from the creeping onset in “It Starts Slowly (First in Your Heart)” to the confounding spiral of “Cyclical Maze (Round and Round We Go)” through the zen-like mantra “Do Nothing (If Less Is More),” a tribute to Kagarice and her life-altering teachings. “Behind Kind Eyes (Thank You)” is a meditation on the loss of a loved one, a nod to the tragedies that can occur around us while we’re struggling through our own, while “Closure is a Wasted Prayer (Release, Relax)” ends with the ambiguous acknowledgment that expecting any chapter of life to neatly draw to a conclusion.

With the evocatively titled Ash, Dust, and the Chalkboard Cinema, trombonist/composer Peter Nelson retraces his five-year struggle with a debilitating condition that threatened to end his career as a musician just as it was entering its ascendancy. The album’s vivid compositions and enthralling playing draw the listener in to experience the grueling emotional journey that Nelson undertook, from the onset of mysterious symptoms through the isolating battle with physical and mental pain through the rigor of healing and the joy and revelation of recovery.clusion is a fool’s errand.

“We always want closure,” Nelson says, “but it’s an almost laughable concept. I’m always going to be dealing with dystonia, but it’s not something that controls my life. The idea of putting a cap on this whole process does a disservice to the process of excavating these feelings and dealing with them. Everything that I learned about brass playing — and more importantly about myself and what music-making really means to me –those lessons are priceless and I wouldn’t change a thing.”

“Peter Nelson is an exciting and creative trombonist making waves on the NYC jazz scene. If his name is on it, you know you are getting something good! With the music world brimming with talent more than ever, Peter’s one to keep an eye on.” – Michael Dease, award-winning trombonist and educator

“Nelson has a sweet, stutter shuttled virtuosity on his valveless instrument of mystical musical astronomers, floating on deep rhythmic currents.” – Kitty Montgomery, Chamber Music America

Due out August 31 via Outside In Music, Ash, Dust, and the Chalkboard Cinema enlisted three different ensembles to tell its compelling story, all featuring Nelson on trombone: an ethereal trio featuring vibraphonist Nikara Warren and the wordless vocals of Alexa Barchini; a hard-swinging quartet with pianist Willerm Delisfort, bassist Raviv Markovitz, and drummer Itay Morchi; and a brilliant septet supplementing the quartet with alto saxophonist Hailey Niswanger, trumpeter Josh Lawrence, and bass clarinetist Yuma Uesaka.

© Greg Jones

 Source and Copyright © 2018 Braithwaite & Katz, All rights reserved.

 

World Poetry Celebrates the Lovely Poetess Michelle Merlindt !

 

 

 

 

 

Exquisite painting by Mirwais Janbaz which was in the World Poetry Peace and Human Rights Exhibit at the University of B.C. Vancouver, Canada. 

Ariadne’s Notes: On March 1, 1:10 -1:30 PM PST ,The World Poetry Café at CFRO, 100.5 FM  Welcomed the poetess Michelle Merlindt from the Gulf Islands with a beautiful recorded poem called The Pearl of Dubai which was one of several poems on two CD’s .  At 1:35, PM, PST the Children of Zion gave us a belated Black History Month Celebration with a variety of songs originating in Ghana.  Thanks to the World Poetry Team of Ariadne Sawyer, MA, Host and Producer, Victor Swartzman, Engineer and special volunteer, Sharon Rowe, and Victor Obosi who brought the band into the station also.

HEAR THIS AMAZING SHOW RIGHT NOW!

 

Michelle Merlindt was born in a remote region of Australia and spent her childhood on a farm in the bush.  Since then she has lived in eight countries.  Due to her profession as a racehorse veterinarian, she spent thirteen years in Dubai where she first began to write and explore poetry.  Now settled in the Gulf Islands of Canada she continues to pursue spoken word poetry in charming old-fashioned rhyme as a means of storytelling.  Like a little piece of chocolate for the imagination, her poems are meant to delight the listener.  Since she loves history and overlooked fragments of culture, each of her poems, set in a faraway land, is like a magical voyage to another time and place.

 

 

On her website michellemerlindt.com she writes a blog in which she discusses the inspiration behind her stories.