*Photo from World Poetry Canada International Advisor and beloved friend Dr. Hadaa Sendoo from Mongolia. He writes beautiful poetry in a yurt in the summer.
Ariadne’s Notes: The World Poetry Café Radio Show on June 28, 1-2 pm PST on CFRO 100.5 FM with the team of Ariadne Sawyer, Producer and host, Victor Swartzman , super tech and Sharon Rowe , special volunteer welcomed an e-Poem by Ahmad Al-Khatat.
He was born in Baghdad on May 8th. From Iraq, he came to Canada at the age of 10, the same age when he wrote his very first poem and Md Khalilur Rahman, a published poet from Dhaka, Bangladesh with a love poem. We also welcomed the wonderful and talented creators from three disciplines, animated poetry, Nick Curl, Jazz musician and educator, Scott Reeves with his new CD Jazz Orchestra’s Without a Trace . Media courtesy of Braitwaite and Katz .T he amazing actress Niketa Calame with her words of wisdom and answer to a young actor from Nigeria .
I am featuring each guest separately on this site to give them more exposure.
Earned a BSEE degree from University of Michigan in 1983.
Earned a MSEE degree from Georgia Institute of Technology in 1995.
Earned a MBA degree from Georgia State University in 1998.
After graduating from high school in 1975 I enlisted in the United States Army. While in the Army I began to learn how to play the guitar. I never took music lessons so for a long time I didn’t understand how a songwriter wrote a song.
In 1978 I received an Honorable Discharge from the Army. I attended various universities and built a career in computer hardware/software design and test and held employment in various industries including Aeronautical, Telecommunications and Consumer Products. During this time my guitar remained mostly in its case but it was always in the back of my mind that writing songs was something I wanted to do.
I retired from engineering in 2014 and began to dabble in poetry and music. I began creating animated poems. Some of the poems may be useful for teaching children about relational concepts such as empathy, friendship and helping those in need.
I was able to find information on the internet about music theory. I downloaded diagrams that showed the guitar chords and notes for songs that I liked. I used the diagrams to play the songs and it sounded like it does on the radio. By studing the diagrams, I began to understand how songwriters used music theory to create their songs.
I now spend most of my free time creating music and animated poetry. I upload the poems and songs to my YouTube channel called nik-Vidz:
Still very much an amateur in both songwriting and poetry, I continue to seek out opportunities to connect with other like-minded people who share my interests in animation and music – two enjoyable areas of entertainment.”
They chirp and tweet, it’s their routine, like clockwork every morn.
It seems to me a symphony of whistles, flutes, and horns.
The songs they sing are quite unique, the tunes they play divine.
There’s something new, a twist or two, it’s different every time.
First one, then two, they all join in. Who orchestrates this band?
It’s what they say in their musical way that makes it all so grand.
Ariadne’s Notes: The World Poetry Café Radio Show with host and producer Ariadne Sawyer and co-host Diego Bastianutti on June 21 , 1-2 PM, PST CFRO , 100.5 FM was honoured to welcome the amazing and talented Amita Sanghvi from Oman to the show. Also, we read the bio and played music from Juan Andres Ospina’s CD , Tramontana (released April 20) He unfortunately was not able to call in.
The show included a good Father’s Day E Poem from Ahmad Al-Khatat. He was born in Baghdad on May 8th. From Iraq, he came to Canada at the age of 10, the same age when he wrote his very first poem back in the year 2000.
Also, we sang Happy Birthday to special volunteer Sharon Rowe in English, Spanish, Brooklynese, Italian and our great tech Victor Schwartzman read another one of her Big Bessie stories.
The World Poetry Café on June 14, (CFRO 100.5 FM )at 1:30 PM PST, celebrated the beautifully talented musician and composer Sara Serpa with her new CD Close Up. Brought to us by our great partners Braitwaite and Katz. I absolutely loved her new CD which combines her lovely voice with cello and tenor sax.
Also on the show was a beautiful poem by Kagan Goh for his father read by Ariadne Sawyer and a Father’s Day poem from Elaine Woo read by our great tech Victor Schwartzman. Another Big Bessie story from Special Volunteer Sharon Rowe was also read by Victor.
Due to technical difficulties at 1:10 PM, Herb Bryce will be re-scheduled to August 2nd.
Notes by Sara Serpa on her new CD : “Close Up can be explained, interpreted, and heard through multiple angles of its creative process and performance. www.saraserpa.com/
The configuration of voice, saxophone and cello exposes each instrument in a vulnerability that sometimes verges on discomfort, much like a Close Up photograph that is saturated with detail. As a trio, we are faced with the challenges of finding a way to work together while playing within this hyper-detailed setting and this uneasy close range. From within this exposure, we look for cohesion, and collective sound. I wrote the material, but the music took shape in the process of our rehearsals and the time we spent together, discussing and trying. The recording process, too, continued the concept of exposure. All of us were present in the same room as we recorded, taking away the possibility of correcting mistakes—no chance of going back.
The compositions themselves also reveal Close Ups of different episodes in my life. Each episode as it took place by itself felt simultaneously important and isolated. Put together the episodes create a whole—life itself, with its moments of joy and sadness. The compositions assume the different languages from throughout my life. In English, my adopted second language, there are texts by two women whose writing I greatly admire: Virginia Woolf and philosopher and feminist Luce Irigaray. Portuguese, my mother tongue, appears in “Pássaros”, a poem by the late Ruy Bello, gone too soon. Departure from and avoidance of language is part of my work. When I come to sing or compose, in the moment I lack words, I sing sounds. Sounds that alone find their meaning. The wordless voice becomes another Close Up of a moment, emotion or expression. There are different challenges imposed on the voice in this music – to create a background, to hold down a bass line, to sing long tones that become textures, to traverse complex lines, to find its place without a harmonic instrument, to be independent, to feature as a solo, to act in ensemble. These are all challenging situations, from which I am continually learning: to find the place for my human voice.
Finally, at the time I was writing and working on this music, the film Close Up by Iranian director Abbas Kiarostami appeared in my life. The film was transformative for me, and has stayed alive in my mind as very few films are able to do. It is inspired by real life events and performed by the participants themselves—the people involved in the events become the subjects of the film. Subjects become objects, the viewers become the actors, and the actor(s) become(s) the director(s), as they reenact and reconstruct present and past events. Cinephile Sabzian fraudulently impersonates a well-known Iranian filmmaker to get access to a family’s house and daily private life. With the pretense that the family members and their house are ideal for his new film, he spends weeks in the house until his fraud is eventually discovered and he is taken to court. Sabzian is the anti-hero, in the sense that he lies and deceives. And yet it is impossible to see him as a bad person. The way he naively speaks and behaves shows his humanity and suffering. In the film, while Sabzian is in the courtroom, in a real-life trial, Kiarostami interviews him, showing a Close Up pan of his face.
In Close Up we, together, become actors and directors, performers and listeners, the others and ourselves. You too are part of this process. Thank you for listening.”
Sara Serpa is a singer, composer, improviser who implements a unique instrumental approach to her vocal style. Recognized for her distinctive wordless singing, Serpa has been immersed in the field of jazz, improvised and experimental music since first arriving in New York in 2008. Described by JazzTimes magazine as “a master of wordless landscapes” and by the New York Times as “a singer of silvery poise and cosmopolitan outlook,” Serpa started her recording and performing career with jazz luminaries such as Grammy-nominated pianist, Danilo Perez, Guggenheim and MacArthur Fellow pianist, Ran Blake, and Greg Osby.
Her ethereal music draws from a broad variety of inspirations including literature, film, visual arts as well as history and nature. As a leader, she has produced and released nine albums, (with labels Sunnyside Records, Clean Feed, Tzadik and Inner Circle Music); the latest being “All The Dreams” in collaboration with guitarist André Matos. Serpa has collaborated with an extensive array of musicians including John Zorn, Guillermo Klein, Zeena Parkins, Mark Turner, Tyshawn Sorey, Nicole Mitchell, among many others.
She has performed her own music in Europe, Australia, North and South America, singing at international festivals such as Festa do Jazz, the Panama Jazz Festival, Festival de Jazz de Montevideo, Wangaratta Jazz Festival and Adelaide Festival, Sopot Jazz Festival or venues like Bimhuis, Casa da Música, Village Vanguard, Jazz Standard, The Stone, Brooklyn Academy of Music, the Metropolitan Museum of Art, and the Kennedy Center for the Arts, among others.
Currently, Serpa leads a trio with Erik Friedlander (cello) and Ingrid Laubrock (tenor sax), with a debut album coming out in March 2018 (Close Up/ Clean Feed) , and a trio featuring Zeena Parkins (harp) and Mark Turner (tenor sax) in an interdisciplinary performance, combining film with live music entitled “Recognition“.
Serpa’s innovative approach has been praised since her debut album Praia (2008) was released, as stated by All About Jazz: , she raises profound questions regarding the previous role of the vocalist in jazz. She sings as an instrumentalist, as a member of an ensemble with a bold conception not the star of some show.”
Serpa’s collaboration with her teacher/ mentor, Guggenheim and MacArthur Fellow pianist Ran Blake resulted in three recorded albums, providing fertile ground for the singer to explore/ interpret the Great American Songbook along with Film-Noir: Camera Obscura (2010), Aurora (2012), Kitano Noir (2015), the latter described by PopMatters as “wonderfully hypnotic”.
Sara Serpa is a member of Mycale, an international a-capella quartet commissioned by McArthur Fellow and avant-garde composer John Zorn whose newest release Gomory (2015) was praised by The New York Times as “astonishingly beautiful, a high point in the series; it sounds medieval and new at the same time.”
With literature has a source of inspiration, Serpa released the album Mobile (2011), title that refers to themes of travel and movement, reflects her passion for reading. Inspired by authors from Homer to Melville to V.S Naipaul, and featuring André Matos, Kris Davis, Ben Street and Ted Poor, it was noted as “work of art in motion” by the Chicago Jazz Magazine and outlined by JazzMan Magazine (France): “Serpa’s commitment to this special and difficult project works wonders – it would be difficult not surrender to it.”
Sara Serpa was the first Portuguese musician to ever perform at the renowned New York jazz venue, The Village Vanguard, in 2008 and 2009 with Greg Osby’s group. Serpa was voted as “Musician of the Year” in 2010 by the newspaper O Público, one of the major daily publications in Portugal, and was the cover of the U.S magazine Jazziz in 2012. Serpa has been voted and included by the DownBeat Magazine Critics Poll in the “Rising Star Vocalist” list in 2014, 2015, 2016 and 2017.
Serpa’s accomplishments extend beyond the jazz world. Serpa has performed/ interpreted music of contemporary composers such as Andreia Pinto- Correia, Derek Bermel (with theAlbany Symphony Orchestra, conducted by David Allan Miller), Aya Nishina (Flora (2014), and Joseph C. Phillips Jr. (Changing Same (2015).
A New England Conservatory Master of Music (MM) in Jazz Performance, and a graduate from ISPA (Portugal) in Social Work and Rehabilitation, the Portuguese singer completed her Piano and Classical Singing Studies at Lisbon National Conservatory. She later fell in love with Jazz and Improvisation through the Hot Clube de Portugal’s school, while working on her research thesis about Refugee Women in Portugal. She relocated to the United States in 2005 to attend Berklee College of Music, followed by New England Conservatory.