Tag Archives: Jacqueline Maire

Love Poems To The World Book Launch!

 

 

 

 

 

 

 

Ariadne’s Notes: On April 18, 1-2 pm PST, hosts Koyali Berman and Jacqueline Maire joined me in a celebration of my new book, Love Poems to the World , Gift Offerings. I would like to thank them for the wonderful launch as well as our amazing Tech Victor Swartzman  and special volunteer Sharon Rowe. 

To the wonderful  Afghan artist Mirwais Jabaz , a humanitarian who has helped so many refuges , sharing his work and art. He gave permission for one of his paintings to be used as the cover of the book, thank you.

Great thanks also to the First Nations Elder, Gabriel Bartleman who apprenticed me when I was getting my MA, Vera Manuel ; my soul sister who kept pushing me to finish the book, in person and in dreams who believed in me and sent a powerful dream poem that is in this book.

The book would not have been possible without the support  and encouragement of Katherine L. Gordon and the kindness and support of Mamta Agarwal who kept encouraging me.

Special thanks to a pianist from Salt Spring Island whose music was featured,

The radio show included poems from the book selected by readers and reviewers. Some of these are posted below.

I am so grateful for the great response to the book which has now has been placed in libraries in various countries and will work on a free e-book that can be offered to our 10,000 WP participants in the world.

LISTEN TO THE SHOW RIGHT HERE!

My Dreaming Journey:
This book began as a result of my association with the Tsartlip Elder, Gabriel Bartleman who became my lay advisor for eight months while I was working on my MA in Psychology and gave me the gift of apprenticing with him.
He told me: “Ariadne, the Earth needs love and caring. It is wounded.” Then he mentioned the First Nations visions and dreams and how elders could go out to wounded places and stay there until there was healing. He also mentioned how dreams reach out and try to contact the sleepers, channeling and guiding the dreams that are needed to help the world.
I have had dreams before but did not remember most of them so embarked on a program of research starting with ancient cultures, Greek, African, Persian, Chinese and First Nations from all over the world. I also learned about lucid dreaming, healing dreams, dream friends and advisors, pre-cognitive dreams and the importance that they played in many cultures.
One of the biggest tasks on my journey was learning how to listen and record. I found that the best way for me was to think about something I had seen or heard during the day, go to bed with paper and pen and usually about 2 am, I would get a clear dream. I would listen and write it down in the dark, since I found that if the light was on, I would lose the dream.
This led to some harrowing times since when I awoke in the morning, I found that I had written over some of the words and had to use a “fishing method”, remembering the last segment and pulling the rest out hopefully like a line of fish. After some time I could write quite clearly and happily continue on. The next morning if I had time, I would read the dream gifts and type them in along with my notes.
The dreams that are in this book are not altered since they come from another place and are not really mine.
There are many methods for dream recall and recording but I am sharing the way that worked the best for me.
During this time, I had a dream research group on line and created a course for them. It was very helpful in my own dream life since their support and kindness added greatly to the creation of this book. It was also interesting to hear from them what they were creating from their dreams, books, CDS, poem, scripts and healings.
There is a lot of information on dreaming and I would urge you to do research and create what works for you.

Poem 1.

Earth
My essence floats on the wind, hitching a ride on the occasional white cloud.
In joy and exuberance, my weightless self
visits the special spots of the beautiful blue planet.
Flowers, an ocean of colours,
intricate geometric designs created by master engineers,
mathematical experts, each flower a work of meticulous design.
I dive down marveling at the desserts,
Incomparable sand sculptures ever changing.
Skimming over the oceans, reflections of peaceful seas, shimmering tones of silver, streaks of gold.
Changing to violent storms, gales, whirling wind and spray.
Thick jungles, teaming with life, vibrant rioting colours, unknown herbs, medicines, creatures rarely seen.
Mountains with lakes and valleys, an aura of ancient beingness.
Huge peaks, dressed in white, caressing the sky.
Satiated, my essence floats on the wind.
Giving thanks to this blue world.
I love you.

Note: A wonderful lucid dream poem. I traveled the world and felt so light and free when I woke up-still flying.

Poem selected by Katherine L. Gordon, poet, critic , mentor and reviewer.

Poem 2.

The Tortured One
I sit on the floor in an empty room.
A hole , a pit.
Waiting for the next torture.
I try to strengthen my mind, prepare myself for the pain, the horror.
The door clangs open, they are here.
I am in the room-the room of terror.
They yell at me, then act nice, give me water.
Offer me cigarettes, say I am beautiful.
They change again.
Give me electric shocks, blindfold me,cut me.
Burn me, throw water.
I think I am drowning.
I have forgotten how to answer, my head is pounding from the blows.
I try to think of happier days, try to bring my mind back to a different place,
remember my students and the other teachers.
They bring in snarling dogs to attack and abuse my body.
My mind is going away, it is gone…
I am back in the hole, isolated, beaten aching, dirty.
They want information I can’t give, names I don’t have.
The faces of teachers at my university flash, no names are coming.
Please world!
It is time to stop the torture.
It is time to get along, all peoples, views, and religions.
What was once an enemy can be a friend.
Please world, send love to the tortured and the torturers.
With love, the torture may go away.
No one will have to wait in terror.
Listening to the door crack open and the next session to begin.

Note:
This was a client from the Middle East that I worked with in BC. She had been a university professor and was picked up to be made an example to others. This was such a powerful dream that I was considering not using it in the book. She called me and I read the poem to her. She asked me to go ahead and include it since torture is a worldwide phenomenon.
During the period of three years, I did volunteer work with 146 survivors of torture, many of them from Survivors of Torture organization in Victoria, Canada.
Thanks to Amnesty International and others, she was released and went to New York where she was fearless even in the most dangerous situations. She walked the worst streets at night.
She came to BC married, started teaching again. Then the entire trauma came back. When she came to see me, she was terrorized of dogs and noises. She is doing much better now and has a mostly normal life and is able to teach in University once again. She still does not like dogs and has to take precautions.
Unfortunately, torture is alive and well in the world, causing pain and suffering all over the planet. Unfortunately, torture is alive and well in the world, causing damage to at least seven generations.
I agree with the poem. It is time to stop the torture. She endorsed this poem saying that it was important since it happens in many places in the world.
In the partly lucid dream I was with her and it was a hard one to be part of and then write it down.

Selected by Kagan Goh, poet,  performer,filmmaker and writer. He chose this one because he felt that it needed to be heard. My client also told me before the book came out: “Please spread the word, torture is widely used all over the world.”

Poem 3,

Egyptian Football Girl
I am a football girl.
I love the beautiful game.
In my home we live 11 to a room,
in my grandmother’s place.
Every morning, I train for the tryout.
I get up early, pick up my pallet and carefully step over the little ones.
Go to practice in a quiet place, uncle watches to be sure I am safe.
The air blows through my hair, playing with it, drying the sweat.
I feel transported to a new powerful place.
My body is joyful, I am happy; I am flying through the air!
Suddenly, I fall grasping the ancient dirt of the pharaohs in my hands.
Jumping off the ground, carrying the dust with me under my fingernails.
I am renewed.
I love the beautiful game.
It is an art; it is a dance with a ball.
My uncle goes with me, disapproving.
He asks me why I do not wear my scarf.
I tell him I need to run free and fast,
to help my grandmother buy bread,
stay in her room instead of the street.
Girls do not play football uncle says, shaking his head at it all.
He loves me, my grandmother needs the money.
She cries about being thrown out, she is afraid.
I yearn to be in the team.
Tryouts come.
I pass, I am in.
I feel like a new person.
My grandmother laughs; she can keep the room and all of us.
My uncle is happy yet sad.
New ways are coming he says.
New ways are coming.

Note: This poem came from seeing a remarkable documentary on an Egyptian woman who creates girl football teams despite resistance. She created a number of girl’s teams that play each other and even boy’s teams. This was the poem about Neda, a young girl who tries out for the team and illustrates some of the changes that are happening in Egypt.
When I woke up at 2 AM, I could feel sore muscles and dirt under my nails.
This was one of the most powerful lucid dreams that I had. The feelings of freedom, of flying through the air, my running muscles in over drive and sore lasted for some time.

Selected by Mamta Agarwal, well known poet and writer.

Thank you all for the love and support,

Respect , Peace and Love.

 

 

 

World Poetry Celebrates Musician Jeff Denson!

 

 

 

 

 

The World Poetry Café Radio CFRO 100.5 FM , August 23, 2018. 1-2 PM PST, celebrated its 20 year on the air this year with a new segment in Living Memory  for Dr. Warren Stevenson and a tribute written by his daughters.

A unique, talented  musician and educator Jeff Densen  joined us at 1:30  PM,PST with his new CD, Outside my Window .

Subscribe to his newsletter and receive a demo at www.jeffdenson.com *Courtesy of Braithwaite and Katz. I love this CD, it is powerful, haunting and enjoyable.

 The Team: Co-host Jaqueline Maire and host Ariadne Sawyer, super tech Victor Schwartzman and special volunteer Sharon Rowe with her Big Bessie Story, read by Victor.

Another talented award winning poet from the Lincoln Club: Jane Rowland with her lyrical poem, Simple Courtship was read on the show.

 

CLICK HERE TO LISTEN TO THE RADIO SHOW!

 

Bio: 

Sometimes all it takes is a tiny spark to ignite a raging inferno. For Jeff Jensen, the spark occurred in 2011. Feeling the need for a fresh start, he loaded up his car to head back to his boyhood home in California. Just as that journey was to begin, a deep and unexpected calling starting boiling inside, Jensen changed directions and headed to Memphis. There was no job waiting for him; no plan, no family, no band, just a lone friend with a temporary place for him to stay. But our intrepid guitar player felt it was the right move, the only move. In less than thirty hours after arriving, he met Brandon Santini and was offered the opportunity to be his guitarist. Soon after, Jeff became music director for the Brandon Santini Band.
The inferno has been building ever since. After two years, almost 500 shows and three recordings with Santini, Jensen re-formed his band with long-time friend and musical collaborator Bill Ruffino (bass). Then they recruited Memphis native Robinson Bridgeforth as drummer. They hit the road and never looked back.
Most people are in for a shock the first time they experience a Jeff Jensen Band performance. It starts with the trio mixing an eccentric blend of soul, rock, and American roots music with a deep blues influence. Suddenly Jensen feels the spirit, transforming into a whirling dervish of sight & sound as he bounds across the stage, barely able to contain himself as he wrenches stark, biting six-string explosions from his guitar. His passion is there for all to see, a rare occurrence in these times of buttoned-down music-making. At first, the sheer emotional force he creates can be a bit overwhelming. Then you realize that all art is an expression of the soul, of the power of the life-giving force that created the universe. And Jeff feels it is his responsibility to make the effort to communicate his passion with each member of the audience every night. After all, music is art, and art is the physical form of emotion.
In 2015, Jensen released the vibrant Morose Elephant album that captures the flavor of the band’s creative force. Combining seven originals with covers of songs from Memphis Minnie and Amos Milburn plus a traditional gospel hymn, Jensen articulates the depth of his musical vision with help from a number of friends including Victor Wainwright, Reba Russell, and Annie Harris. The disc received even more critical acclaim as the band’s previous release, Road Worn and Ragged (2013), both produced by Jensen. This led to two consecutive Blues Blast Music Award nominations in the Sean Costello Rising Star category (2014/2015).
The band continues to tour the US, Canada and many European countries relentlessly, as the inferno shows no signs of burning out. Whenever there is a break in the schedule, Jensen switches roles, acting as the producer with other artists including Mick Kolassa, John Parker and co-producing Santini’s This Time Another Year, nominated for a Blues Music Award in the Contemporary Blues Album category (2014).
*Biography written by Mark Thompson.

Source: ww.jeffdenson.com 

World Poetry Celebrates Jacqueline Maire & Lello Molinari!

 

 

 

Ariadne’s Notes:

On March 29th. 1-2 PM PST, the World Poetry Café Radio Show, CFRO 100.5 FM PST  welcomed features:

Jacqueline Maire, World Poetry Lifetime Achievement Winner  and author with her poems in English and French.

Co-host Dr. Diego Bastianutti took the hosting lead for  Bassist/bandleader Lello Molinari’s new album  Italian Job, Lello and Diego discussed  the importance of roots with music selections. A fascinating show in English, French, Italian and Spanish. Lello’s section below. 

E-poem: By the talented youth Wonder Poet Kezang Dawa from the lovely country of Bhutan.

 E-poem by Malik Ahmed originally from Bangladesh.

Thanks to our World Poetry Team of Ariadne Sawyer, MA, producer , co-host Diego Bastianutti and special Volunteer Sharon Rowe.

Music by Laura Kelsey with her new CD Dispell, . http://dispellband.bandcamp.com to be launched on the World Poetry Café radio Show, April 5th, 1-2 pm.

LISTEN HERE FOR The RADIO SHOW!

 

 

 

 

 Feature Bassist/Bandleader Lello Molinari Returns to his Italian Roots, Reimagines Classic Repertoire in Stunning Modern Jazz Settings

Lello’s Italian Job, Volume 2 features Italian and Italian-American musicians transforming folk and popular songs and classical arias from throughout Italy’s rich musical history

“Lello’s Italian Job, Volume 1 is a dynamic showcase for [Molinari’s] instrumental skills… covering an all-star roster of Italian musical icons with passion, respect and imagination.”

– Stacey Zering, No Depression

“Molinari’s music: in your face, a little raw, fiercely alive.” – Thomas Conrad, DownBeat

It’s often been said that “you can’t go home again” – but with his Italian Job project, Lello Molinari proves that old cliché wrong. The acclaimed bassist has not only returned to his Italian roots, but brought with him three decades of experience as a bandleader, an educator, and a virtuosic bassist with his fingers on the pulse of modern jazz. Now he views the unparalleled musical traditions of his homeland through the lens of a lifetime’s worth of accumulated musical knowledge, creating something that’s both Old World and New, deeply personal while reflecting a profound tradition.

Molinari left his native Naples, Italy in 1986 to study jazz at Boston’s Berklee College of Music. In the intervening years he’s gone on to become a revered educator at that same institution, perform as an in-demand bassist on both the jazz and classical music scenes in Boston, tour the U.S. and Europe with his own Quintet, and venture to the leading edges of jazz in partnership with saxophone great George Garzone.

In recent years, however, Molinari began to glance back over his shoulder at the wealth of musical riches to be found in the land of his birth. That adventure began as part of his 2000 album Multiple Personalities, which peppered three Italian tunes into an album that also veered from forward-leaning jazz to a Monk classic, and featured Garzone, guitarist Mick Goodrick, pianist Frank Carlberg and renowned Italian vocalist Chiara Civello. On the 2016 release Lello’s Italian Job, Volume 1, he explored material from across the wide spectrum of Italian song – traditional folk music, classical arias, popular songs – and radically transformed them through his own singular jazz voice. Now, with Lello’s Italian Job, Volume 2, he offers a second collection that marries timeless melodies to contemporary sounds.  The CD will be released on Friday, March 9, 2018 via Fata Morgana Music.

“I had a desire to reconnect with my roots,” Molinari says. “But I also wanted to incorporate these new things that I’ve learned over the years here in the States to old material and give it a fresh look and a fresh take.”

As on the first volume, Molinari leads a quartet of stellar artists who share his Italian heritage – and are all members of the Berklee faculty. Drummer Marcello Pellitteri is a fellow immigrant, hailing originally from Sicily, while saxophonist Dino Govoni and guitarist Sal DiFusco are both Italian-American. Their repertoire for Volume 2 varies from a Respighi tone poem to popular Neapolitan songs that have been sung for generations, to original music penned for the project.

With centuries of musical history to delve into, Molinari found that the hardest part of the project has been whittling down his list to just enough repertoire to fill (so far) two volumes. “Rather than picking which songs to do, I really had to think about which ones not to do,” he says. “If you think about Italian music, it’s like saying

‘Jazz’ – there’s so much and it’s so diverse that it’s impossible to put it into one place. Because I play with a number of orchestras, I’ve reconnected recently with classical music and opera. Then there are certain pieces of music that I just adore and that I wanted to do with my group in my way. Others were songs that I grew up with, folk songs that I’ve known since I was a kid. So it was a natural process.”

The insistent tap of Pellitteri’s percussion opens “’O Sarracino,” a popular song by legendary Neapolitan performer Renato Carosone, given a jazz-funk feel by Govoni’s keening soprano, Molinari’s slinky electric bass line, and DiFusco’s strummed groove. “Jazz Tarantella” takes the melody that is the bane of every Italian’s existence – you know the one, it accompanies every Italian stereotype and cartoon that’s ever appeared on screen – and reimagines it as an alluring straightahead jazz tune in the vein of Miles Davis’ “Dear Old Stockholm.” DiFusco’s original “Sulla Strada di Damasco” follows, inspired by the story of the conversion of Saint Paul and incorporating a vaguely Middle Eastern feel.

“Intermezzo Sinfonico,” from Pietro Mascagni’s operatic masterpiece “Cavalleria Rusticana,” is jolted into the present via Govoni’s EWI (Electronic Wind Instrument) and Lello’s harmonies on Electric basses, while Pino Daniele’s “’na Tazzulella ‘e Café” makes the unlikely journey from Napoli espresso bar to Bourbon Street coffeehouse in Molinari’s New Orleans-influenced arrangement. Ottorino Respighi’s four-movement tone poem “Pini di Roma” becomes a lush, impressionistic ballad, followed by Luigi Canoro’s famous mazurka “Tra Veglia e Sonno,” which opens familiarly with a mandolin and percussion intro before Govoni’s tenor shifts it firmly into the jazz realm.

“Lidio Napoletano” shows off the improvisational empathy of the trio, built on a short melody in the Lydian mode and created in homage to the treasured Boston band The Fringe, mainstays on the local scene for more than four decades. “Anema e Core,” which has been sung in different languages by everyone from Perry Como to Andrea Boccelli, is a famous Neapolitan song written by Salve D’Esposito in 1950, rendered as a moving duet for bass and guitar. Another song that’s traveled the globe, the famous “Torna a Surriento” has been recorded by everyone from Luciano Pavarotti to Dean Martin to Elvis Presley (as “Surrender”), its heartbreaking melody here pairing Govoni’s EWI with cello played by Meena Murthy. The gorgeous melody of “Tu ‘si ‘na Cosa Grande” is set to a slow, swaying beguine, while Molinari and Pellitteri close the session with an improvised duet, evocatively titled “Neapolitan Snake.”

“I guess as I get more mature,” Molinari concludes, “I don’t need to play ‘punk jazz’ anymore or do music that’s so difficult to listen to. I can enjoy a simple structure, a simple melody – Lello’s Italian Job lets me do both, reinterpreting this old material from a new, contemporary jazz point of view.”

Lello Molinari: Born and raised in Naples, Italy, bassist, bandleader and educator Lello Molinari studied contrabass at the Scuola Civica in Sesto San Giovanni. In 1985 he joined the Italian Vocal Ensemble, performing on radio and television as well as at Italy’s leading jazz festivals. The following year he moved to Boston to study at Berklee College of Music, earning his Bachelors Degree there and his Masters from the New England Conservatory. He’s since joined the Berklee faculty, where he leads an ensemble dedicated to the music of his mentor, Dave Holland, and a new ensemble drawing on Italian repertoire. In the early ‘90s Molinari toured the US and Canada with the acclaimed Either/Orchestra and began a longstanding collaboration with sax great George Garzone. Since 1992 he’s been the principal bassist for the Melrose Symphony Orchestra, with whom he’s recorded several albums. He’s also a member of the Cape Ann Symphony, Hillyer Festival Orchestra, and Salem Philharmonic. Molinari has played with such jazz legends as Kenny Wheeler, George Garzone, Mike Melillo, Jerry Bergonzi and Victor Lewis, leads his own Quintet and co-leads the trio 3Play. Lello’s Italian Job, Volume 2 is his 5th release as a leader.

Source :  Braitwaite and Katz with thanks. * Sorry to be so late, was doing a special project.