I want to thank all the World Poetry Participants , publishers, the World Poetry Canada International closed groups Peaceathon, World Poetry Youth Team and, media partners in print and digital poetry association partners and film partners. In 2017, the film partners reached numbered 7 and we are grateful for their wonderful films and the opportunity to promote them. We hope to expand into other media as well.
The World Poetry Café radio show has been on the air continually since 1991 and the current team will be adding a couple of guest hosts in January and February. We just received a certificate from the station which I hope to post.
The show how has now reached 101 countries and the book launches have also been very popular with a wait list for a variety of guests from LA and New York , USA, as well as the world.
The World Poetry Peace Celebration still has poems to be read on the show and certificates to be sent out. 700 peace poems were received and are being read on the show with more coming in.
I want to thank all of your who have sent messages, phoned and contacted me in appreciation of what World Poetry has done for them, opened the doors for contacts and positive exposure and in bringing the poets, musicians, artists, writers together worldwide as a family in support of respect, love and peace. As one media person put it! “They love your positive and respectful show!’’
A big thank you to are directors and advisors!
This is a volunteer position for me and I hope to do the best job possible promoting all of you.
In the new year, we hope to expand with a FB Media Page, podcasts and World Poetry Media reporters searching out and reporting on positive news with the goals of respect, unity, love and peace.
The World Poetry Café welcomed the talented Koyali Burman , World Poetry Canada International Cultural Ambassador, in a fascinating interview on the arts, dance, poetry and healing with a focus on Kathak dancing and hand Mudras. Also featured was World Poetry Director Alaha Ahrar with a inspirational message, Poems by Mamta Agarwal , a story by Sharon Rowe, Creative Rocks Tips, by Ariadne Sawyer all under the expert controls of Victor Schwartzman , the sound engineer.
Koyali is a graduate from the University of British Columbia. Besides her rising professional career, Koyali is an accomplished Kathak dancer a North Indian classical dance form. From a tender age of 3, she was fascinated to Kathak dance form. She has also learnt Rabindra Nritya and Mohiniyattam dances. She has received awards and featured in numerous Television, stage performances and radio interview in India and Vancouver.
Being the Cultural Ambassador of the World Poetry Canada International she is creating awareness in Vancouver of glorious Indian classical dance and focusing on exploring connectivity with Kathak, poetry and therapeutic value of one of the Indian dance form. If poetry could come to life, you’d find Koyali Burman dancing and teaching.
She has also reverence for global learning and development and fortunate to have worked with some of the well known women like Frances Ferreira who share her interest in international development.
Koyali also does Healing Workshops in the Vancouver, B.C. Canada area.
Ariadne’s Notes: A wonderful interview with the talented Rebecca Papucaru on October 12th at 1:35 PM, PST on the World Poetry Café, CFRO, 100.5 FM . Featuring her new book, The Panic Room, by Nightwood Editions (Harbour Publishing, with thanks to Nathaniel Moore, publicist for his good work. She paints pictures with words and gives each reader something to relate to.
Rebecca Papucaru Author of the new book, the Panic Room, Harbour Publishing. She is preoccupied with the complexities of identity and selfhood, memory, embodiment, loss, and family, Rebecca Papucaru carefully examines details that make up one’s lived experience.
“Lobster Dinner” describes a happy childhood memory of eating an entire lobster with an admiring father as her audience. “Take It or Leave It” is the casual and quotidian, yet heartbreaking, failure of a daughter and her mother to find an emotional connection during an art gallery outing. “Your Women Are Beautiful” betrays the dreamy excitement of travelling in an unfamiliar place, juxtaposed with the blunt reality of arriving home again.
The Panic Room is about the giants that loom over us, too. A second-generation Eastern European Jewish immigrant, Papucaru attempts to grapple with connecting with her family’s past as well as the distinct feeling of being disconnected. In “On Watching an Eastern Bloc Comedy” she writes, “I’m one generation apart from all this, / and ashamed. Of my father, before his / refrigerator, mourning age spots on lettuce.”
Papucaru offers unabashed honesty: the sort of reflections you’d only tell your dearest friend.
Rebecca Papucaru’s work has appeared in journals such as The Antigonish Review, PRISM international, The Malahat Review, The Dalhousie Review and Event. She has been anthologized in I Found it at the Movies: An Anthology of Film Poems (Guernica Editions, 2014) and Best Canadian Poetry in English (2010). She lives in Sherbrooke, QC.