Tag Archives: Anthony Blackman

World Poetry Proudly Presents Steel Pan Musician Anthony Blackman!

Ariadne’s notes: The World Poetry Café Radio Show, CFRO 100.5 FM with hosts Ariadne Sawyer and Israel Mota welcomed the wonderful steel pan player Anthony Blackman in a show full of  beautiful pan music. ClICK HERE for the show ( link not working yet)

Also at last, thanks to the great efforts of tech Gerry, we were able to broadcast the beautiful voice of Clara Hsu from San Francisco . She writes: “Here is a mp3 file of my reading of Langston Hughes’ April Rain Song. The song was created by a fellow poet friend, Carlos Ramirez, who passed away last year. He used to set many Langston Hughes’ poems into songs. This one was my favorite. The instrument I used to accompany myself is a singing bowl.”  We featured a special e-poem by our wonderful supporter and poet Lini Richarda Grol called  His Exotic Trip.

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   Anthony Blackman was born in Trinidad and Tobago in the West Indies/ Caribbean. The land of The Steel Pans ~ Calypso ~Soca and Carnival. His Love for music has been a passion since he was a young boy. He came to Canada and made it his home playing the Pans for all occasions. https://www.youtube.com/watch?v=_y8UNqUz7-c

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His group  Soul Survivors will be playing April 25th:  http://www.kerrisdalevillage.com/news/

 

 

 

Our radio show is  currently doing a fundraiser to keep us on the air: Please go to www.coopradio.org and become a member of our World Poetry Family. Please put in the name of the World Poetry Café so that your membership can be credited to our account. You will also get a tax receipt.

 

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World Poetry Proudly Presents Steve Duncan From Canada!

The World Poetry Café Radio Show with hosts  Ariadne Sawyer and Israel Mota proudly welcomed S.R. Duncan, poet, community arts builder, publisher and organizer.
LISTEN TO THE SHOW HERE! 

World Poetry Canada International, World Poetry New Westminster and World Poetry Vancouver would like to thank Steve for his ongoing mentorship and support started so many years ago. He is truly a hero! Also, great thanks to Israel who translates into Spanish a poem by the featured poet each week.

Music by featured musician Anthony Blackman, Steel Pan player, Terry Warbey and Rene Hugo Sanchez. More photos later as soon as I can figure out how to upload them.

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S.R. Duncan is a producer, publicist, free-lance writer, and poet.  He was long-time owner of Pink Flamingo Works, a graphic design and small press publishing house in operation for 12 years and specializing in literary chapbooks and promotional material for limited budgets. 

Duncan’s broadcast career began In 1980. While still in high school, he wrote, directed and performed sketch comedy routines for “Community Fries” a Friday night event on Shaw TV’s Community Access station in the City of Duncan on Vancouver Island.

His broadcasting credits include CKNW, CITR, Rogers Cable 4, CJSF and CO-OP radio, where he produced a weekly half hour radio show called “WAX POETIC” for 12 years.

On top of numerous publishing credits, he has performed live on stages as far-flung and diverse as Squamish, Victoria, Seattle, Auburn and Portland. 

He has sat on the boards of Vancouver Poetry House, and East Vancouver’s Notorious Theatre in the Raw.  He was the president of  the Celtic Fest Vancouver Society and the Edgewise Electrolit Centre – a non-profit society with a mandate was to exploit communications technology in order to widen the audience of Canadian poetry.

His executive production credentials include the Downtown Eastside Fearless Festival, The Poets Corner at Word on the Street and Spoken Word Coordinator for CelticFest Vancouver.

In 2003, via the internet, Duncan collaborated with musician Massimo Mariani, from Milan Italy, to produce a CD and launch the work as part of the Vancouver New Music Festival – with Mariani in attendance. Drawing from both his extensive work experience as a healthcare administrator and his formal training in Arts and Entertainment Management from Capilano University, then combining these with his innate love for all things creative, positive and progressive, Duncan has blazed a unique trail for himself as a Vancouver Arts community builder and a mentor to dozens of artists and small non-profits, specializing in literary-based entertainers, theatre companies and festivals. Recently he helped develop a half-hour TV talk show for Shaw Cable called “Via Mia”. www.viamia.net 

Science fiction icon, Ray Bradbury calls his work, “fine poetry.

Sometimes There Is a Wind

 Sometimes
a very old breath of wind
pushes its way across the water
from the East,
slips through windows I believed safe to leave open;
through the front door
I leave regularly unlocked.

It is a chilling wind
that takes me by an icy hand
like a good friend with bad news
or a beautiful dream with dark edges..

This wind is heavy
with the smell of burning candle
and printer’s ink.

It is the mouldering breath of
old book and ancient traditions
the smell of gas
and decay
and brimstone
and boot leather,
and fear.

I’d figured its sound was that of leaves
and nothing more.
But i wasn’t listening.

The leaves are only borrowed tongues
from all the kindled spirits
of the children and the old and young men and women,
of all my relations…

This wind carries music –
endlessly sad,
straining against time itself
the pluck and scrape of heartstrings
bent and plied into minor chords

It has blown through the cord-wood stacks of bodies;
through fluted rib of cage
and castanet of teeth.

And there once was an old woman
who tried to take up a chorus with this wind
a lament for everything she had lost?

A petition to remember all the songs and those who sang them?
Or maybe just a fleeting, careless moment
a rare stretch of thought unshackled from hurt
when the words and notes return unexpectedly.

But her old husband stopped her,
and forbade her to sing them,
Was he afraid of this wind
and the empty houses it wound through?

Afraid that dark time might heave up again
brought on by her lilting incantations,

his time
Destiny not missing him with its sickle.
Or was he still trying to wash the blood off his own hands.
God gave her a song
that men dared not let her sing.

This wind enters my bedroom,
crawls slowly over me,
gently tugs at my lashes
and softy scratches at my eyelids,
tickles my sleeping ear,

washes through memory and dream
until both are muddy.
It settles between my lover and I
like a hard lump growing in a tender place
inside us.

and we wish we could just forget”
and that that would be enough to make it disappear.
But the wind carries rumours
of knowledge and beauty being transmuted
into ash and greasy black smoke.

And i know that I rewrite history every day
with my brush and pen.
And that the permanence of canvas and paper
is the biggest lie I’ve lead myself on with.

I know that all the bold colour
and bright sound I can make
will eventually lie impotent
and this wind will fill
the empty spaces again.

© 2010 Steven R. Duncan

World Poetry Proudly Presents Changming Yuan & Allen Qing Yuan!

Ariadne’s notes:  The World Poetry Café Radio Show with hosts Ariadne Sawyer and Israel Mota were honoured to present the talented duo of Changming Yuan and Allen Qing Yuan. We thank  Poetry Pacific Press for being our esteemed World Poetry Partner. Chanming says:  “please send your poems to: editors.pp@gmail.com
LISTEN TO THE RADIO SHOW!

Changming Yuan and Allen Qing Yuan:

Poetry Pacific – poetrypacific.blogspot.ca

Joint poetry blog – http://yuanspoetry.blogspot.ca/

Poetry Pacific Press – http://poetrypacificpress.blogspot.ca/

Poetry Pacific Facebook – http://www.facebook.com/poetry.pacific

Allen Qing Yuan:: Above the Movement

– www.facebook.com/Above.The.Movement
– www.abovethemovement.com

– Twitter: @ATMovement
– Instagram: @abovethemovement

Background music solo cello music by Bach, played by Yo Yo Mah, welcome song by Mary Youngblood(First Nations) and Anthony Blackman   Steel Pan performer, Anthony Blackman, who will be  performing for the birth of the new World Poetry venue in Vancouver February 15th  at the celebration of Black History Month and Love, Britannia Community Centre, Vancouver.

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Changming Yuan, 7-time Pushcart nominee and author of Chansons of a Chinaman (2009) and Landscaping (2013), grew up in rural China and published several monographs on translation and the English language before moving to Canada as an international student. With a PhD in English from the University of Saskatchewan, Yuan currently tutors independently in Vancouver, where he co-publishes Poetry Pacific with his teenager poet son Allen Qing Yuan and operates PP Press. Most recently interviewed by [PANK], Yuan has had poetry appearing in nearly 800 literary journals/anthologies across 28 countries, which include Asian literary Review, Best Canadian Poetry (2009; 2012), BestNewPoemsOnline, LiNQ, Istanbul Review, London Magazine, Paris/Atlantic, Poetry Kanto, Poetry Salzburg, SAND, Taj Mahal Review, Threepenny Review and Two Thirds North.

Kinship: For Yuan Hongqi

Yes, we are father and son, but so often
Did I doubt this simple small bio fact:
We could never say more than three short
Sentences to each other when we met, nor
Did we meet more than three times per year
Before I managed to flee a thousand miles
Away from you, and later ten thousand away
From your village on this world’s other side

Like other Chinese fathers, you never said
You loved me, gave me a hug, or touched me
Unless it was a cutting pinch in the arm
Or a heavy hit on the butt, (always in surprise)
While my peers kept bragging aloud
About their great fathers, grandfathers
I looked down upon you, not because of
Your slight stature, but because of your
Smaller personality, constantly calling you
“A Buddha outside, a Devil at home”
(Of course behind your back), so I used to
Feel guilty, fearing I could never shed
Any teardrops when you die, just as every
True Confucian son is supposed to

Unlike me and my son, with a big store of
Co-memories ready to share, to cherish
We were born enemies, karma-determined
In our former lives, just as you had explained
To my mother, (who would be busy filling
In each new crack on our wall, with a big pail
Of muddy mixture every time we met)

Yet ever since your death at the dawn of 2012
I have been haunted by your image, kindly
Smiling, and even sobbed my heart out
While dreaming last night: are you there, Dad?

Changming Yuan (C)

[First published in and nominated for the 2012 Pushcart Prize by Mobius: The Poetry Magazine]

 

親情︰寫給袁宏啟

沒錯,你我確系父子,不過我常常

懷疑這一簡單的生物學事實︰

每次相聚,我們難能說完三句短話

而一年到頭我們見面也不過三次

那還是我在世界的另一邊

逃避你千里萬里之前

 

像其他中國父親,你從未說過

你愛我,擁抱過觸摸過我

除非是深掐臂膀

或痛打屁股,(總是冷不及防)

當我的同伴大聲吹噓

他們的爸爸爺爺如何了得,我卻

瞧不起你,不是因為

你身量矮小,而是因為

你性格怯弱。我時時(在你背後)說你

‘在外是活菩薩,在家是活閻王’

因為這,我深深內疚,唯恐不能像個

 

真正的儒家孝子在你離世時為你落淚

不像我和我的兒子,總有許多共同往事

分享回憶,我你乃天生對頭

前世注定,一如你向我母親訴說的

那樣。(每當我倆相見

她總是擰著個大桶, 隨時在你我之間的

高牆上填縫補隙)

 

可是,自從2012年年初你撒手人寰

你的形象一直追纏著我,慈愛的

微笑,每每使我泣不成聲

昨夜還夢見︰你在麼,爸?*

 

Allen Q Yuan

Allen Qing Yuan, a Pushcart nominee and author of Traffic Light (2013), currently attends UBC and co-publishes Poetry Pacific with his father-mentor Changming Yuan in Vancouver. Aged 18, Allen has had poetry appearing in more than 70 literary publications across 16 countries, including Cordite Poetry Review, Istanbul Literary Review, Literary Review of Canada, Mobius, Paris/Atlantic, Oklahoma Review, Poetry Kanto, Poetry Scotland, Shampoo, Spillway, Taj Mahal Review and Two Thirds North.

Ariadne’s Note: I have chosen this poem from several excellent poems by Allen because it illustrates the situation of many Intercultural youth working to bring their original culture and the Canadian culture together.

Banana* Blues*

I’m bluer than blue
A branch thicker than the root
A banana unlike any other fruit

But my growth has been severed and burned

Like a scale with weight it cannot measure
The music of my white soul
Is melancholy, oppressed
Singing without words
Confined within black bars

I’m bluer than blue
A composer without compositions
A conductor without a baton
To even guide himself

The song beats away as
I’m singing my blues

Allen Qing Yuan, (C)

Note from Allen: American/Canadian-Born-Chinese (ABCs or CBCs) are often called  “bananas” because they are yellow-skinned, but white-minded.